About the SongJan & Dean – Dead Man's Curve / The New Girl In School (1964, Vinyl) -  Discogs

Buckle up for a thrilling ride with another classic from the California surf rock kings, Jan & Dean! This time, we’re taking a sharp turn away from the sunshine and beach vibes of “Surf City” and heading towards the suspenseful “Dead Man’s Curve.”

Released in 1963, “Dead Man’s Curve” stands in stark contrast to its sunny counterpart. The song throws us into a world of hot rods, teenage rebellion, and the very real dangers of street racing. The lyrics paint a picture of a young man pushing his car to the limit on a notorious, potentially deadly curve.

The driving rhythm of the song perfectly reflects the speeding car, building tension with each verse. Jan & Dean’s signature harmonies take on a darker edge, mirroring the anxiety of the situation. The lyrics are a cautionary tale, warning of the consequences of reckless driving. Lines like “Little dragster with its motor hummin’ / Headin’ for a heartbreak, I hear the sirens comin'” leave the listener with a sense of impending doom.

However, “Dead Man’s Curve” isn’t all doom and gloom. There’s a rebellious streak woven into the narrative. The protagonist seems to be aware of the danger, yet still pushes the boundaries. This rebellious spirit resonated with a generation of teenagers who identified with the thrill-seeking, risk-taking aspects of car culture.

The song’s ambiguity adds to its enduring appeal. While the lyrics warn of the dangers, there’s no clear resolution. Did the driver make it around the curve? The song leaves that to the listener’s imagination.

“Dead Man’s Curve” might not be your typical summer anthem, but it’s a crucial part of Jan & Dean’s legacy. It showcased their versatility as musicians, tackling a darker subject matter with the same infectious energy that defined their surf rock hits. It’s a reminder that the California surf scene wasn’t all sunshine and good vibes – it also had its dark undercurrents. So, the next time you hear “Dead Man’s Curve,” take a moment to appreciate its storytelling, its musical tension, and its place in the history of rock and roll.Picture background

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Lyrics: “Dead Man’s Curve”

I was cruisin’ in my stingray late one night
When an XKE pulled up on the right
And rolled down the window of his shiny new jag
And challenged me then and there to a drag
I said, “you’re on, buddy, my mill’s runnin’ fine
Let’s come off the line now, at sunset and vine
But I’ll throw you one better if you’ve got the nerve
Let’s race all the way
To dead man’s curve”

Dead man’s curve, it’s no place to play
Dead man’s curve, you best keep away
Dead man’s curve, I can hear ’em say
Won’t come back from dead man’s curve

The street was deserted late Friday night
We were buggin’ each other while we sat out the light
We both popped the clutch when the light turned green
You should of heard the whine from my screamin’ machine
I flew past LaBrea, Schwab’s, and Crescent Heights
And all the jag could see were my six tail lights
He passed me at doheny then I started to swerve
But I pulled her out and there I was
At dead man’s curve

Dead man’s curve, it’s no place to play
Dead man’s curve

Well, the last thing I remember, doc, I started to swerve
And then I saw the jag slide into the curve
I know I’ll never forget that horrible sight
I guess I found out for myself that everyone was right
Won’t come back from dead man’s curve

Dead man’s curve, it’s no place to play
Dead man’s curve, you best keep away
Dead man’s curve, I can hear ’em say
Won’t come back from dead man’s curve

By LamNg

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